26 february 2007.

i’ve watched this 25489908750349 times.



filed under: misc | comments: 3 comments

25 february 2007.

“the carpet finally matches the drapes.” - bill maher on britney spears’ new hair

look, i got a haircut. i think i’ll keep it this length.



filed under: misc | comments: 6 comments

23 february 2007.

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.

i’m reading lolita. currently just finished the first part. why didn’t anyone ever make me read nabokov before? i like the quote by john updike on the back cover. “nabokov writes prose the only way it should be written, that is, ecstatically.” it’s true. almost as good is the double take i get from everyone on the subway who sees the close-up of a girl’s lips on the front of the 50th anniversary edition. effective cover design.


the more truly great books i read, the more i realize that i will never be a writer by trade, especially a novelist. i gasp at the greatness of some novels. not in the way that i gasp at dancers, or painters, or musicians. those art forms are so alien to me. i could never master the time steps in tap class–though who knows what i could have accomplished if i had started at earlier than 16. i can’t draw a proportionate stick figure, and i was always one of those children whose block letters got more and more scrunched as he reached the right margin. i don’t understand how someone can sit at a piano and, without sheet music, play something they have merely heard.

writing is different. i feel that i understand the beauty of rhetoric, of syntax. i know how to throw together a sentence that is at least somewhat pleasing to the vast majority of my audience. it’s not foreign; it’s within my grasp. i don’t think i have the will to make it a living, though. i think that the forced work of constructing and re-constructing would be more displeasing to me than a total loss of writing ability.

months ago, a palm reader told me that i have vast artistic abilities, but i will never use them. i think he may be right.

he also told me i won’t be fabulously wealthy.
is it sad that i’m more willing to battle that notion?


ps - so, britney. i watched this, and i feel bad for her. she’s a fucking mess, yes, but do you see how they’re practically climbing on the car in the video? what’s the point of such a big zoom lens? it’s intentional obnoxiousness.


filed under: misc | comments: 5 comments

13 february 2007



[youtube: lost highway trailer]

yesterday, after a brief trip to the moma to see sleepwalkers on its closing night–an exhibit that would have surely been great had i the time and body heat to enjoy it fully–i took a rather impromptu trip to the ifc center to see david lynch’s latest, inland empire. i didn’t inject the noun “film” on purpose; it seems more like an…uh…well, it was inland empire. i dare say it may be his wackiest work yet. it has a lot of intrinsic value–i’m still thinking about it the next day and i want to see it again, so surely it was worth the eleven bucks–but i definitely prefer mulholland drive. this seems less focused, more in the old lynch vein, and i don’t really think any other style would have worked for the “plot.”

laura dern gives the performance of her career, which is great because she has said in interviews that she didn’t understand the film as she was doing it, and hoped that seeing the finished product would give her a little more clarity. she’s fantastic. fantastic!

seeing inland in the theatre is a mixed bag for me. it doesn’t have the lushness and big-screen beauty of mulholland. it’s filmed on digital video, which works for it, but makes it cold and dirty. i saw it in a room with what couldn’t have been more than 100 seats, and by the end of the third hour, i was caught in a limbo of being achy and not really wanting it to end. ever. i want to watch it on dvd and pick it apart. so can you wait? probably. if you have the time and money, though, i’m sure you’ll get a little more out of seeing it in the theatre.

bottom line: if you’re a lynch fan, you’ll love it. if not, you’ll hate it. does that really surprise anyone? as laura dern’s character(s?) say(s?) in the film, and as applies to most of lynch’s work, “i can’t tell if it’s yesterday or tomorrow, and it’s a real mind fuck.”


filed under: misc and youtube and movies and art | comments: none

12 february 2007

i dug through my dvd pile and re-watched serial mom the other night. kathleen turner is brilliant. when john waters is on, he’s on.


i got an A on my first french test of the semester. c’est bon, n’est-ce pas? i feel really stupid because the oral is coming a lot slower than the written. i guess it’s normal, but i hate not knowing answers when something is asked and isn’t written in front of me.


i think i’m going to chop off my hair at the end of the month. i’m getting sick of having the boyish-cute thing. that’s always been my thing. i’m thinking about a modified crew cut with shaved sides and a longer top, but still way tighter than i’ve been doing. it wouldn’t be too insanely different than this, but the sides would be shaved and it wouldn’t be spiky on top. very clean, very tight, but very edgy. like those homoerotic sailor fashion shoots.

i’m having identity issues.


i feel like i am lately running out of things to say. i don’t really want to speak, or be the life of a party. maybe we run in cycles, running out of words and rebuilding the urge. i always thought it would be fascinating to wake up one day and not speak, that day or any following.


ps - new york times magazine portraits? fierce. especially helen mirren.


filed under: misc | comments: 3 comments

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about
he was building an imperial self out of some tabloid aspiration (delillo)

twenty two. nyc.





i'm scott anthony. most people know me as a decently cool character. i fix macs all day. i like a lot of things; i'm sure you do, too. shared interests are fine, but i actually make much more fulfilling friendships with people completely different than me. i can easily become a stress case. i love and value people who mellow me out more than anything else. i love new york. i love vibrancy. i love being pulled away from what i supposed was my birthright: my unerring sense of rationality. in fact, as time goes by, i get more and more joy out of the beauty in disarray. if you love life and truly live, i love you and want to know you.


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